I perceive myself as a living archive — a vessel for an infinite constellation of narratives, memories, and somatic states, each awaiting its moment of deconstruction and rebirth.
My artistic practice exists at the intersection of analog and digital collage, abstract expressionism, and mixed media. To me, collage is not merely a technical medium; it is an ontology of human existence. We create nothing in a vacuum. Instead, we assemble our identities from fragmented realities — layering memory, trauma, bodily experiences, and cultural codes to reconstruct meaning from rupture.
The Philosophy of the Method:
Reconstruction over Destruction: Collage serves as a methodology of survival and reclamation. By breaking down and recombining fragments of reality, I examine how we build the future upon the scarred, resilient layers of the past.
Abstraction as Somatic Reflection: Where language fails, abstraction operates as direct subconscious dialogue. It is an unmediated state of awareness where the rational mind yields to intuition, allowing underlying emotional truths to surface organically.
Embodiment and Shadow Work: My practice functions as visual psychoanalysis. I explore the architecture of trauma, sexuality, chronic physical and psychological tension, and the mechanisms of sublimation. I investigate how pain transforms into structural resource, navigating the fragile threshold between inner chaos and radical harmony.
Through raw texture, visceral layering, and conceptual precision, my work challenges the viewer to confront vulnerability not as weakness, but as an expansive catalyst for resilience and personal sovereignty